Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Markus Pernhart
Fischerhutte am Worthersee

ID: 98192

Markus Pernhart Fischerhutte am Worthersee
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Markus Pernhart Fischerhutte am Worthersee


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Markus Pernhart

Markus Pernhart (1824-1871)  Related Paintings of Markus Pernhart :. | Painting of Castle Harbach in the 19th century | Reifnitzer Bucht | Maria Worth | Fischerhutte am Worthersee | Worthersee mit Loretto und dem Ferlacher Horn |
Related Artists:
Daniel Schultz
(1615 - 1683) was a famous painter of the Baroque era, born and active in the Polish - Lithuanian Commonwealth. He painted many Polish and Lithuanian nobles, members of the royal family, local Patricians, such as the astronomer Johannes Hevelius, and animals.
Henry Ferguson
American, 1842 - 1911
Cornelis Bol
Dutch, born circa 1589-1666,Painter, etcher and draughtsman, active in London. He was probably from a family of painters originating in Mechelen who later settled in Antwerp. Bol and his wife were members of the Dutch Church in London in 1636. An etching of an Action between the Dutch and Spanish Fleets (Oxford, Bodleian Lib.) is signed and dated 1639, and a set of etchings by him after Abraham Casembrot ( fl c. 1650-75) includes a view of Lambeth Palace as well as four imaginary Mediterranean seaports. A signed drawing of the Blockhouse at Gravesend is in the British Museum, London. George Vertue saw at Wotton House, Bucks, 'three views of London from the River side Arundel House Somersett house Tower Lond. painted before the fire of London by Cornelius Boll: a good free taste'. They were probably commissioned by John Evelyn, the diarist, around 1660 and descended in the Evelyn family. Their attribution to Bol is confirmed by a signed version of Somerset House (London, Dulwich Pict. Gal.). Although Bol was only moderately accomplished, he was able to reproduce the distinctive light and character of the River Thames and to render the riverside and its landmarks with much topographical detail; his pictures make pleasing visual documents. The handling of the naval craft is identical in a small signed oil panel of an Action between Dutch and Spanish Ships (Amsterdam, Rijksmus.) and in other marine subjects that have appeared in London salerooms. According to Immerzeel, Bol was still working in London at the time of the Great Fire in 1666.






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